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It’s full of shame, regret and second guesses. Season 2 of ‘You,’ on Netflix, shifts the action to Los Angeles - and sends up a number of stereotypes about the city along the way.Īs Love’s inner monologue unspools, we get a tantalizing glimpse at the workings of her mind. But why isn’t she happy? What can she do to change? She’s grabbed the golden ring and reached happily ever after. Theo is basically Forty.) First, she blames herself. She kicks off a missive to her brother by wondering why she cheated on Joe with the teenaged neighbor. Throughout the weekend, Love keeps tapping out anxiety-ridden texts, trying to figure out where it all went wrong. The conference ostensibly celebrates women who “do it all,” but really it’s just nine circles of woman-shaming hell disguised as a luxury spa weekend. Love reaches out to Forty as she heads to their mother’s W.O.M.B - Summit, that is. Sure, her relationship with Forty was supremely flawed, but at least it was rooted in trust and mutual understanding. Instead of talking to some random, idealized person as Joe does, Love’s inner voice is guided by someone she truly loved. When we finally get a chance to hear Love’s inner monologue in the episode “W.O.M.B,” it’s revealed that she’s talking to the ghost of her dead brother. Of course, Forty eventually dies, and Love blames herself for not being able to prevent it from happening. A fierce protective instinct and total lack of parental guidance are what led her to kill at the tender age of 13 when she found out that the nanny was sexually abusing Forty. But as the female sibling, Love was placed in the role of caretaker to Forty. The twin connection between Forty and Love runs deep: They grew up with abusive and neglectful parents, so they clung to each other for support throughout childhood and into adulthood. And the unbridled rage that burns in her eyes when she brandishes a murder weapon is unparalleled.įor all her physical tells, the key to Love is embedded in her relationship with her twin brother, Forty (James Scully). The quickness with which Pedretti’s face slackens and her lips purse whenever Love is displeased is psychotic perfection.
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She so fully embodied the character that the many subtle warning behaviors she wove throughout Season 2 in no way ruined the surprise when we found out that Love, too, was a serial killer. The Toronto Film Festival continues through Sept.From the start, Victoria Pedretti has portrayed Love with a whip-smart intellect, an intense presence and a hair-trigger temper. “Our goal is to put the conversation about refugees back on the table, to tell everyone it’s still happening and to get refugees to know it’s okay to share what you went through,” she said. Yusra Mardini added El Hosaini sharing in their Middle Eastern upbringings and experiences gave them comfort that their story of refugee flight from war-torn Syria could be told well in The Swimmers.
“There’s a certain type of young Arab women that I don’t see on screens, who is liberal and modern and bilingual, and they reminded me of myself and my friends growing up, and here was an opportunity to put those experiences through the lens of that story,” El Hosaini said. And what they went through as people, they reminded me of myself when I was younger,” the director, who is half Egyptian and grew up in Egypt explained.
“They’re so inspirational, what they went through. At one point, the sisters jump into the water to swim on as Yusra, hearing her father’s words, finds her lane in the dark sea and is on the point of collapse before she and her sister Sara arrive at a beach in Lesbos.įrom there, after a dangerous onwards journey on land, the sisters get to Berlin and, after passing through a refugee shelter, are taken on as competitive swimmers once again by a local swim coach.Įl Hosaini told the TIFF presser that the heroism of the Mardini sisters convinced her to take on the project. In director’s Sally El Hosaini’s drama, the Mardini sisters battle fear and exhaustion to stay alive in their refugee-filled dinghy on their way to Greece.
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And once you know how to float, it’s nice in the water and you want to freestyle, and once you have a goal, you want to achieve it,” Nathalie Issa added about swimming lessons ahead of production. “It was really hard at first, but then we persevered. But, while not having to competitively swim in the refugee drama, the Issa sisters did undergo two months of pre-production training in the swimming pool to allow them to portray refugees dangerously crossing the Aegean sea in a swamped dinghy to reach Greece.